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  Barcelona & Modernity > About the Exhibition > Exhibition Highlights > Pablo Picasso
La Vie, 1903

 
 
Image of Pablo Picasso <br><I>La Vie, </I>1903
<br>Oil on canvas
<br>196.5 x 129.2 cm 
<br>The Cleveland Museum of Art, Gift of the Hanna Fund 1945.24.
<br>© 2006 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Pablo Picasso
La Vie, 1903
Oil on canvas
196.5 x 129.2 cm
The Cleveland Museum of Art, Gift of the Hanna Fund 1945.24.
© 2006 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Pablo Picasso
La Vie, 1903


La Vie has been interpreted as an allegory of sacred and profane love, a reference to the cycle of life, and a symbolic representation of the life of modern artist.

Picasso's preparatory sketches for this painting indicate that he originally intended to depict himself standing between a naked woman (his model or lover) and a canvas resting on an easel. Some sketches also include another artist entering the studio at the far right; Picasso later replaced that man with the robed woman cradling a baby.

X-rays reveal that the man on the left remained a self-portrait during the paintings early stages. However, at some point Picasso replaced his features with those of Carles Casagemas, a close friend who had committed suicide in 1901.

X-rays also reveal a strange scene beneath the crouching woman in the lower center, in which a creature with a human body and the head and wings of a bird flies over a nude woman reclining on the ground. The meaning of this scene remains the subject of considerable speculation and debate.


Page 4 of 21 | On the next page: Gaspar Homar
Decorative Panel of Figure with Garland of Ribbons and Flowers, c. 1905