The Cleveland Museum of Art Special Exhibitions Visions of Japan

  Visions of Japan > Highlights of the Exhibition > Division--Work No. 100
 
 
<b>Image of </b><I>Division--Work No. 100</I>, 2002<br>Katsunori Hamanishi
<br>(Japanese, born 1949)
<br>Mezzotint with gold leaf
<br>Gift of Gloria and Leon Plevin in Memory of Fred Schmidt, 2002.106
Division--Work No. 100, 2002
Katsunori Hamanishi
(Japanese, born 1949)
Mezzotint with gold leaf
Gift of Gloria and Leon Plevin in Memory of Fred Schmidt, 2002.106

Division--Work No. 100

Although mezzotint is primarily a European technique, Hamanishi’s work is traditionally Japanese in many respects. The use of gold, which emphasizes the flatness of the scene and adds a wonderful decorative element, began in Japanese printmaking in the late 17th century. One hundred years earlier, gold paper served as a background for folding screens, also referenced in the tripartite
arrangement of Division—Work No. 100.


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